{ "id": 3227, "date": "2021-01-24T11:33:28", "date_gmt": "2021-01-24T10:33:28", "guid": { "rendered": "https:\/\/danielricardogonzalez.com\/?page_id=3227" }, "modified": "2026-10-26T09:02:23", "modified_gmt": "2026-10-26T08:02:23", "slug": "fascination-lost-places", "status": "publish", "type": "page", "link": "https:\/\/danielricardogonzalez.com\/en\/portfolio\/fascination-lost-places\/", "title": { "rendered": "FASCINATION LOST PLACES" }, "content": { "rendered": "
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Gallery<\/h5>

FASCINATION LOST PLACES<\/h1><\/div>

Is time lost if it is not preserved in memory or in a work of art?
Is a place magical because it has been forgotten and abandoned?
How morbid can beauty be?<\/p>\n

It is questions like these that drive the photo artist Daniel Ricardo Gonz\u00e1lez. His spirit of discovery is directly transferred to the image motifs, which awaken in us viewers a searching and finding, an astonishment and experience.<\/p>\n

Daniel Ricardo Gonz\u00e1lez transforms himself from photographer to image author by generating new image motifs on the basis of real places, thus intensifying the mysterious magic of his \"lost places\". When Gonz\u00e1lez is able to locate one of these - often secret - places, there is no stopping him.
The camera is only an assistant, because only when all the other senses are stimulated does the photographer enter a state of flow, a happy feeling
of being at one with himself and the place.<\/p>\n

This experience is documented simply by pressing the shutter release of the camera. Only later, in his own photo lab, does he develop specific individual motifs that are intended to touch us not only visually, but physically. The Ravensburg photographer's \"Lost Place\" motifs are fascinating projection surfaces for our own wishes, dreams and memories, also because we feel a transcendent connection through them.<\/p>\n<\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Ch\u00e2teau Verdure IV<\/h4>

Various sizes available <\/p><\/div><\/div><\/a><\/div>\"Ch\u00e2teau<\/div><\/div>

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ZEPPELIN BODENSEE BADHAUS<\/h4>

<\/p><\/div><\/div><\/a><\/div>\"Zeppelin<\/div><\/div>

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Heritage<\/h4>

2016, 40 x 40 cm | 60 x 60 cm | 90 x 90 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Orientalische<\/div><\/div>

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Ch\u00e2teau vieux vin V<\/h4>

2020, 45 x 60 cm | 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Ch\u00e2teau vieux vin III<\/h4>

2020, 45 x 60 cm | 67,5 x 90 cm | 90 x 120 cm | 112,5 x 150 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Ch\u00e2teau vieux vin IV<\/h4>

2020, 60 x 40 cm | 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Wohnzimmer<\/div><\/div>

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Freedom (Chateau-Verdure)<\/h4>

2020, 60 x 40 cm | 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Ch\u00e2teau<\/div><\/div>

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Ch\u00e2teau Verdure II<\/h4>

2020, 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Ch\u00e2teau<\/div><\/div>

<\/div>

Ch\u00e2teau Verdure III<\/h4>

2020, 45 x 60 cm | 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Pavillon Verd<\/h4>

2021, 40 x 40 cm | 60 x 60 cm | 90 x 90 cm | 120 x 120 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Verrostetes<\/div><\/div>

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Pal\u00e1cio da Ditadura I<\/h4>

2020, 45 x 60 cm | 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Barocker<\/div><\/div>

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Chal\u00e9 do Conde VI<\/h4>

2020, 60 x 40 cm | 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Ch\u00e2teau Verdure V<\/h4>

2020, 67,5 x 90 cm | 90 x 120 cm | 112,5 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Ch\u00e2teau<\/div><\/div>

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Chal\u00e9 do Conde II<\/h4>

2020, 45 x 60 cm | 67,5 x 90 cm | 90 x 120 cm | 112,5 x 150 cm | Museumsglas | Edition 10 + 1 AP\n\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Ch\u00e2teau vieux vin II<\/h4>

2020, 40 x 60 cm | 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Treppenhaus<\/div><\/div>

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Pal\u00e1cio da Ditadura IV<\/h4>

2020, 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP\n\n<\/p><\/div><\/div><\/a><\/div>\"Pal\u00e1cio<\/div><\/div>

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Ch\u00e2teau Verdure VI<\/h4>

2020, 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Ch\u00e2teau<\/div><\/div>

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Chal\u00e9 do Conde III<\/h4>

2020, 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Chal\u00e9<\/div><\/div>

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Ch\u00e2teau Lumi\u00e8re VI<\/h4>

2020, 60 x 40 cm | 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Ch\u00e2teau Lumi\u00e8re III<\/h4>

2020, 60 x 40 cm | 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Ch\u00e2teau Lumi\u00e8re II<\/h4>

2020, 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Ch\u00e2teau<\/div><\/div>

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Cocina Art Deco<\/h4>

2018, 40 x 40 cm | 60 x 60 cm | 90 x 90 cm | 120 x 120 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassener<\/div><\/div>

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Black Forest Percussionist<\/h4>

2017, 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Black<\/div><\/div>

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Dormitorio Turquesa<\/h4>

2018, 64 x 90 cm | 86 x 120 cm | 107 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"T\u00fcrkisfarbenes<\/div><\/div>

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Manoir Ma\u00e7onnique I<\/h4>

2021, 45 x 60 cm | 67,5 x 90 cm | 90 x 120 cm | 112,5 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Verlassene<\/div><\/div>

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Manoir Ma\u00e7onnique II<\/h4>

2021, 45 x 60 cm | 67,5 x 90 cm | 90 x 120 cm | 112,5 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Verlassene<\/div><\/div>

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Manoir Ma\u00e7onnique III<\/h4>

2021, 45 x 60 cm | 67,5 x 90 cm | 90 x 120 cm | 112,5 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Verlassene<\/div><\/div>

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Abandoned leather factory I<\/h4>

2017, 60 x 38 cm | 90 x 56 cm | 120 x 75 cm | 150 x 94 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Abandoned<\/div><\/div>

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Limoges<\/h4>

2021, 40 x 40 cm | 60 x 60 cm | 90 x 90 cm | 120 x 120 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Blick<\/div><\/div>

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Abandoned leather factory II<\/h4>

2017, 60 x 22 cm | 90 x 33 cm | 120 x 44 cm | 150 x 55 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Alte<\/div><\/div>

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Manoir Ma\u00e7onnique VII<\/h4>

2021, 60 x 40 cm | 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Manoir<\/div><\/div>

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Manoir Ma\u00e7onnique IX<\/h4>

2021, 60 x 40 cm | 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Manoir<\/div><\/div>

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Manoir Ma\u00e7onnique X<\/h4>

2021, 40 x 60 cm | 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Manoir<\/div><\/div>

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Manoir Ma\u00e7onnique VIIIII<\/h4>

2021, 40 x 60 cm | 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Verlassene<\/div><\/div>

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Ch\u00e2teau Lumi\u00e8re I<\/h4>

2020, 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Ch\u00e2teau<\/div><\/div>

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Ch\u00e2teau Lumi\u00e8re V<\/h4>

2020, 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Ch\u00e2teau<\/div><\/div>

<\/div>

Ch\u00e2teau Lumi\u00e8re IV<\/h4>

2020, 60 x 60 cm | 90 x 90 cm | 120 x 120 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Ch\u00e2teau<\/div><\/div>

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Ch\u00e2teau vieux vin VI<\/h4>

2020, 40 x 60 cm | 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Sicht<\/div><\/div>

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Ch\u00e2teau Mariage Blanc I<\/h4>

2020, 60 x 45 cm | 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Ch\u00e2teau vieux vin I<\/h4>

2020, 60 x 40 | 90 x 50 cm | 120 x 67 cm | 150 x 83 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Au\u00dfenansicht<\/div><\/div>

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Village de montagne abandonn\u00e9<\/h4>

2020, 60 x 90 cm | 80 x 120 cm | 100 x 150 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Gasse<\/div><\/div>

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Chal\u00e9 do Conde I<\/h4>

2020, 60 x 40 cm | 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Chal\u00e9 do Conde IV<\/h4>

2020, 45 x 60 cm | 67,5 x 90 cm | 90 x 120 cm | 112,5 x 150 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassenes<\/div><\/div>

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Farmer's kitchen<\/h4>

2018, 40 x 40 cm | 60 x 60 cm | 90 x 90 cm | 120 x 120 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Verlassene<\/div><\/div>

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Chal\u00e9 do Conde V<\/h4>

2020, 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Chal\u00e9<\/div><\/div>

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La Guarida I<\/h4>

2018, 90 x 67,5 cm | 120 x 90 cm | 150 x 112,5 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"La<\/div><\/div>

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Chevrolet Santiago de Cuba<\/h4>

2018, 60 x 38 cm | 90 x 56 cm | 120 x 75 cm | 150 x 94 cm | Museumsglas | Edition 10 + 1 AP\n<\/p><\/div><\/div><\/a><\/div>\"Old<\/div><\/div>

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Hotel Raquel Habana Kuba<\/h4>

2018, 90 x 60 cm | 120 x 80 cm | 150 x 100 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Lichthof<\/div><\/div>

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Farmacia en la Habana I<\/h4>

2018, 60 x 60 cm | 90 x 90 cm | 120 x 120 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Historische<\/div><\/div>

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La Guarida II<\/h4>

2018, 90 x 67,5 cm | 120 x 90 cm | 150 x 112,5 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"La<\/div><\/div>

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Farmacia en la Habana II<\/h4>

2018, 60 x 60 cm | 90 x 90 cm | 120 x 120 cm | Museumsglas | Edition 10 + 1 AP<\/p><\/div><\/div><\/a><\/div>\"Historische<\/div><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die Serie als Wandkalender<\/p>

\"Lost<\/a>
Wandkalender 2027<\/span>Lost Places \u2013 morbide Sch\u00f6nheiten<\/span>12 Motive aus der Serie \u00b7 erschienen bei Calvendo<\/span>Kalender bestellen A5\u2013A2 \u00b7 ab 20,99 \u20ac<\/em><\/a>Premium-Ausgabe A2 \u00b7 74,99 \u20ac<\/em><\/a><\/div><\/div>
\"Lost<\/a>
Wandkalender 2027<\/span>Lost Places \u2013 vergessene Sch\u00e4tze<\/span>12 Motive aus der Serie \u00b7 erschienen bei Calvendo<\/span>Kalender bestellen A5\u2013A2 \u00b7 ab 20,99 \u20ac<\/em><\/a>Premium-Ausgabe A2 \u00b7 74,99 \u20ac<\/em><\/a><\/div><\/div><\/div>

Katalog zum Download<\/p>

\"Katalog<\/a>
Werkkatalog \u00b7 PDF<\/span>Daniel Ricardo Gonz\u00e1lez<\/span>76 Seiten \u00b7 alle Serien, Editionen und Formate<\/span>Katalog Deutsch \ud83c\udde9\ud83c\uddea \u00b7 15 MB<\/em><\/a>Catalogue English \ud83c\uddec\ud83c\udde7 \u00b7 15 MB<\/em><\/a><\/div><\/div><\/div><\/div>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Gallery FASCINATION LOST PLACES Is time lost if it is not preserved in memory or in a work of art?Is a place magical because it has been forgotten and abandoned?How morbid can beauty be? It is questions like these that drive the photo artist Daniel Ricardo Gonz\u00e1lez. His spirit of discovery is directly transferred to the image motifs, which awaken in us viewers a searching and finding, an astonishment and experience. Daniel Ricardo Gonz\u00e1lez transforms himself from photographer to image […]<\/p>", "protected": false }, "author": 4, "featured_media": 3236, "parent": 2938, "menu_order": 1, "comment_status": "closed", "ping_status": "closed", "template": "", "meta": { "footnotes": "" }, "class_list": [ "post-3227", "page", "type-page", "status-publish", "has-post-thumbnail", "hentry" ], "yoast_head": "\nLost Places \u2013 Fine-Art-Fotografie verlassener Orte | Daniel Ricardo Gonz\u00e1lez<\/title>\n<meta name=\"description\" content=\"Verlassene Schl\u00f6sser, Villen und Pal\u00e4ste in Europa, festgehalten als limitierte Fine-Art-Editionen von Daniel Ricardo Gonz\u00e1lez aus Ravensburg.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/danielricardogonzalez.com\/en\/portfolio\/fascination-lost-places\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta 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